Price

$ 16.00

Quantity:
Availability 200 In Stock
Product Code: OAP-000331 Categories: Tag:

Quick Overview

Weight 0.1 kg
Width 12.5 in
Height 15.3 in
Main Material Used Paper
Deity Kartikeya
Country Of Manufacture India

Special Comments

All S. Rajam painting-prints are very good resolution.

If the print is portrait in orientation, then the height is 15.25 inches and the width is 12.5 inches, and vice-versa if the print is landscape.

Weight is shown as a negligible value for all prints since shipping is calculated based on dimensions.

All prints come on a thick, high-quality paper with a mat finish.

If you need a larger print of this work, you may email us for a quote.

Description

Print of a painting by S Rajam of twelve armed Kartikeya.

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Description

Print of a painting by S Rajam of twelve armed Kartikeya. A beautiful print of Kartikeya painting by  S Rajam.

S Rajam was a renowned painter and  an accomplished Carnatic musician from Tamil Nadu. His paintings are appreciated for a unique style of his own that involved painting by colour-wash method. The figures were drawn with smooth minimal lines.

Another quality of his paintings is that they conform to the painting and drawing methods and principles mentioned in Chitrasutra, which is a collection of principles and standards of art and art techniques in ancient India. Chitrasutra is a part of the main text called Vishnudharmottara Purana – an extensive ancient treatise various modes of art.

This is print of a painting of Kartikeya, also known as Murugan, Subramanya and Skanda. He is seen twelve-armed carrying various attributes. This form of Kartikeya is called Tarakari (enemy of demon Taraka).

Kartikeya is seen seated on a peacock, his mount. He has six faces and wields dhanush (bow), dhwaja (flag), kshurika (dagger), patra (bowl), khetaka  (shield), shakti (energy), sarpa (snake), vajra (thunderbolt) and Vel (a javelin specific to Kartikeya).

Kartikeya is the elder son of Shiva and Parvati. He is the deity of war and chief commander of the  army of gods. Ganesha is his younger brother. There is an interesting background behind Kartikeya’s birth.

When Shiva’s wife Sati had immolated herself at her father Daksha’s sacrificial arena when Daksha insulted her husband, the grief-stricken Shiva went to Himalayas and immersed his self into deep samadhi (trance). At that time an evil demon called Taraka propitiated Brahma and obtained a boon that he may die only at the hands of Shiva’s son.

Puffed with power due to Brahma’s boon, Taraka started tormenting the worlds and gods. Meanwhile Sati was reborn as Parvati to Maina and Himvaan (deity of mount Himalaya). She had a natural fondness for Shiva seeing which Himvaan deployed her in the service of Shiva who was meditating on his ranges.

Unable to bear the atrocities of Taraka, gods approached Brahma who advised them to deploy Kama (the god of love) to stir passion in Shiva’s heart for Parvati who was serving him with devotion.

Kama, along with his wife Rati and his friend Vasanta (deity of Spring) went to the spot Shiva was meditating on. He saw Parvati offering flowers etc. to Shiva who had just got out of his meditation. Grabbing his chance Kama shot arrows of passion at Shiva’s heart. This altered Shiva’s gaze and under the influence of Kama he observed how beautiful Parvati was. Nonetheless Shiva controlled his thoughts immediately and snapped to his usual self again. Realising this to be an external mischief he looked around and saw Kama taking another aim at him.

Shiva burned Kama to ashes instantly and disappeared from the spot. This caused Parvati immense grief and she commenced severe penance to attain Shiva as her husband. Pleased with her penance Shiva appeared to Parvati and accepted her as his wife.

After marriage Shiva and Parvati remained immersed in conjugal bliss for a long time. Their lovemaking seemed to last forever and they were in the state of mithuna (sexual embrace) perpetually. This caused a great upheaval in the universe and the gods sent Agni (fire god) to break the sexual union of the divine couple. Agni succeeded in doing so but he also had to then accept the gushing semen of Shiva.

Agni could not bear the effulgence of Shiva’s semen and he left it with Ganga. Finding its heat unbearable, Ganga further emitted it in a forest of reeds called Shara. The forest turned golden with the heat and light of Shiva’s semen and a child was born there. He  started crying in thunderous voice. Six Krittikas (divine women) who came to the spot saw the boy and felt deep affection for him. They all wanted to breast-feed him and the divine boy sprouted five more faces to suckle with. Thus breastfed by Krittikas, the boy was called Kartikeya.

Since many divinities contributed to his birth, he became the son of all and assumed more names accordingly.

He was called Guha as Shiva’s son.
Skanda as Parvati’s son.
Mahasena as Agni’s son.
Kumar as Ganga’s son.
Sharavana as Forests’s son.

Kartikeya was appointed commander-in-chief of the gods. He challenged Tarakasura and slayed him in the fight that ensued.

Customers Who Bought From Us

anonymous danonymous d
12:27 02 Nov 23
I am deeply impressed by the attention to detail in every piece. The team's passion for their craft truly shines through. Thank you for adding beauty to my space!
Sandeep MarwahSandeep Marwah
18:09 05 Jul 23
Krishan gave me excellent service throughout the process, sending regular updates untill deliveryWould highly recommend
Sanjeev DevaSanjeev Deva
02:27 01 Jul 23
Krishnan and Cottage9 industries were amazing! The were professional, timely and gave expert advice for my bespoke bronze idol order. Highly recommended.
David WendDavid Wend
03:05 14 Aug 22
I purchased a Japanese woodblock print from the excellent selection that Cottage9 has. The print was sent carefully packaged and the service that I received was first rate. They were always attentive to my questions and provided a high level of customer care. I will be returning for future purchases.
gayathri prabhakargayathri prabhakar
12:53 25 Jul 22
Simply the best experience I have ever had shopping online. The communication is top notch and their collection of art products and customer service is excellent. Thank you Krishan and Cottage9 for letting me have a wonderful customer experience. I can’t wait to order more products.
Sudhir PaiSudhir Pai
11:38 11 Jul 22
Would strongly recommend Cottage9 for art lovers. Kishan Gupta is a thorough professional who took very good care during the entire made-to-order process for a bronze idol. He knows his subject and can be entirely relied upon. Very happy to do more business with him and Cottage 9.
Bhavani SiegelBhavani Siegel
05:56 12 Apr 22
I have a great love of the unique devotional art from India: over many trips there, as well as from purchases from reputable online sites, I now enjoy a small collection of paintings & sculpture in my home. Since I had first seen them, though, lost-wax sculptures of gods & goddesses - with their graceful limbs holding symbolic articles, with a fresh vitality & lovely facial expressions - had particularly captured my heart. For many years I had searched, in India & online, for one image in particular: that of Sri Rama. Even in India this is not easy to find. One day I did an online search, not expecting much result. Yet at a site in India called Cottage9, I saw a beautiful brass lost-wax of Sri Rama with all the elements I wished for: a graceful yet strong demeanor, holding a separate bow in his hand; with a noble & kind expression. Alas, it had already been sold; lost-wax images are by definition one-of-a-kind. When I inquired, I was told that I could commission another murti of Sri Ram; while of course no lost-wax sculpture can be duplicated, I was assured it would be of the same high quality. This was taking a risk; there was no way to know what the finished sculpture would look like. The person with whom I was interacting, Mr. Gupta, sent me an article describing not only each step, with photos, of creating a lost-wax bronze sculpture (Mr. Gupta patiently answered all my questions about materials, concluding that bronze was generally considered the best metal in lost-wax sculpting), yet also describing the prayer and meditation that each artist undertakes before creating an image of the Divine. Mr. Gupta thoroughly answered several other questions; I even sent some photos of the Murtis which would also be on the altar. After these conversations I felt ready to commission the sculpture. Most imprortantly, I felt Mr. Gupta understood how meaningful this was for me, saying that he would personally watch over the production of the murti. All of the arrangements with Cottage9 were clearly explained and smoothly completed. And, while an investment - comparative to other sites at which I have purchased this intricately produced art, I felt the price was quite reasonable. The creation of the sculpture took between 2-3 months; when the murti arrived, it was packed extremely well in a sealed wooden crate; its journey from India to the U.S. was completed without mishap. And the Sri Rama murti was indeed very beautiful & everything I could have hoped for. I would unhesitatingly recommend Cottage9 if one is looking for authentic, beautiful artwork from India.
Hemendra RanaHemendra Rana
04:19 30 Mar 22
Cottage9 team has been extremely proactive right from suggesting the right product to customizing the same. The best part was they were keeping us posted with timely updates along with pics during the course the product was being customized.I am extremely satisfied with the finished product and whoever has seen it, can’t stop asking for details😊
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